Some reformulations and extensions of the theory of rhythmic canons

Submitted: November 15, 2024
Accepted: November 27, 2024
Published: December 30, 2024
Abstract Views: 237
PDF: 198
Publisher's note
All claims expressed in this article are solely those of the authors and do not necessarily represent those of their affiliated organizations, or those of the publisher, the editors and the reviewers. Any product that may be evaluated in this article or claim that may be made by its manufacturer is not guaranteed or endorsed by the publisher.

Authors

The algebraic theory of periodic rhythmic canons was developed by the author of the present paper in connection with the study of a special class of rhythmic canons, nowadays referred as “Vuza canons”. A basic concept in the theory is the outer rhythm attached to a canon. In the original paper, for any given canon an auxiliary canon was constructed and the outer rhythm was expressed as an object attached to the latter canon. In the present paper we show that the outer rhythm can be expressed directly in terms of the given canon, without the need of an auxiliary construction. Strongly related to the outer rhythm is the canon category, which is a numerical measure of the periodic symmetry of the outer rhythm relative to the canon inner rhythm. We give a new definition of the category in terms of the stability groups associated to a canon. Many interesting results due to various authors have been obtained for Vuza canons, which by their definition must have maximal category. We show here that interesting facts can also be said about canons whose category is not maximal. We describe partitions of a canon into subcanons of minimal and maximal category and we discuss the relation between outer rhythm, category and a class of maps that can be regarded as natural morphisms between canons.

Dimensions

Altmetric

PlumX Metrics

Downloads

Download data is not yet available.

Citations

Agon C, Andreatta M (2011). Modeling and implementing tiling rhythm canons in the OpenMusic visual programming language. Perspect New Music 49:66-92. DOI: https://doi.org/10.1353/pnm.2011.0009
Andreatta M (2011). Constructing and formalizing tiling rhythm canons: A historical survey of a “Mathemusical” problem. Perspect New Music 49:33-64. DOI: https://doi.org/10.1353/pnm.2011.0012
Grigor'ev S, Muller T (1961). Uchebnikpolifonii (A textbook on polyphony). Moscow, Gos. muzykal'noe izd-vo.
Vuza DT (1985). Sur le rythme périodique. Rev Roum Linguist - Cah Linguist Theor Appl 22:73-103.
Vuza DT (1989). Elemente de teoria matematică a ritmurilor. Tribuna Musicologica vol. 2., Bucuresti, Editura Muzicala. pp. 89-114.
Vuza DT (1991). Supplementary sets and regular complementary unending canons (Part One). Perspect New Music 29:22-49. DOI: https://doi.org/10.2307/833429
Vuza DT (1992a). Supplementary sets and regular complementary unending canons (Part Two). Perspect New Music 30:184-207. DOI: https://doi.org/10.2307/833290
Vuza DT (1992b). Supplementary sets and regular complementary unending canons (Part Three). Perspect New Music 30:102-125. DOI: https://doi.org/10.2307/3090628
Vuza DT (1993). Supplementary sets and regular complementary unending canons (Part Four). Perspect New Music 31:270-305. DOI: https://doi.org/10.2307/833054
Vuza DT (1995). Supplementary sets - theory and algorithms. Muzica 1:75-99.

How to Cite

Vuza, D. T. (2024). Some reformulations and extensions of the theory of rhythmic canons. Proceedings of the European Academy of Sciences and Arts, 3. https://doi.org/10.4081/peasa.51